Waylon Jennings, the undisputed king of outlaw country, wasn’t all about rebellion and hard living. While known for anthems of defiance like “Lonesome, On’ry and Mean” and tales of the road in “I’m a Ramblin’ Man,” Jennings occasionally surprised audiences with his softer side. “Come With Me”, released in 1976 on the album Wanted! The Outlaws, showcased this unexpected vulnerability.
Composed by Jennings himself, the song stands out amidst the album’s collection of outlaw narratives. “Wanted! The Outlaws” was a collaborative effort featuring Jennings alongside fellow outlaws Willie Nelson, Jessi Colter, and Tompall Glaser. The album cemented their status as rebels pushing boundaries within the Nashville country music scene. “Come With Me”, however, offered a tender counterpoint to the album’s overall theme.
The song paints a picture of a love yearning for connection. Jennings’ signature baritone softens as he delivers lyrics filled with longing and a sincere invitation. Lines like “There’s a fire burning baby, deep down in my soul” and “Come with me, leave this lonely world behind” showcase a vulnerability rarely seen in Jennings’ outlaw persona.
Produced by Tommy Jackson, a frequent collaborator with Jennings during the outlaw era, the song boasts a stripped-down arrangement. Acoustic guitars and piano create a warm and inviting soundscape, allowing Jennings’ vocals to take center stage. The absence of the driving rhythms and electric guitars typically associated with outlaw country further emphasizes the song’s intimate and introspective nature.
“Come With Me” wasn’t a chart-topping hit, but it resonated with fans who connected with Jennings’ portrayal of a yearning heart beneath the outlaw exterior. The song serves as a reminder of the artist’s versatility and his ability to deliver heartfelt emotion alongside his trademark rebellious spirit. “Come With Me” stands as a testament to the enduring power of a simple love song, even within the outlaw country landscape.