Merle Haggard, the Bakersfield outlaw and country music legend, wasn’t known for shying away from serious themes in his music. However, in 1967, he released a playful duet with his then-wife, Bonnie Owens, titled “Jackson”. This lighthearted song, featured on the album Mama Tried, stood out from Haggard’s usual repertoire, showcasing his versatility and ability to deliver a fun and humorous performance. While the exact composer is debated, with some crediting Haggard and others suggesting a potential co-writing credit for Owens, the song undoubtedly benefited from their vocal chemistry. Produced by Duffy Rhodes, “Jackson” wasn’t a chart-topping hit, but it became a fan favorite, praised for its lighthearted energy and Haggard’s playful impersonation of Johnny Cash.
On the surface, “Jackson” appears to be a simple novelty song. The lyrics tell the story of a couple traveling to the town of Jackson, with Haggard taking on the persona of Johnny Cash, mimicking his distinctive baritone and storytelling style. Owens delivers the counterpoint vocals, adding a layer of playful banter to the narrative. The song is filled with humorous references to Cash’s music and signature “boom-chicka-boom” guitar sound.
However, beneath the surface of the lighthearted performance lies a subtle layer of commentary. During the mid-1960s, a friendly rivalry existed between Haggard and Cash. Both were major figures in the burgeoning country music scene, with distinct musical styles and personalities. “Jackson” can be interpreted as a playful jab at Cash, showcasing Haggard’s sense of humor and his ability to imitate his contemporary.
“Jackson” is a prime example of Haggard’s ability to blend humor with subtle social commentary. While the song appears to be a lighthearted duet, it offers a glimpse into the competitive spirit of the country music industry at the time. Ultimately, the song’s enduring appeal lies in its infectious energy, Haggard’s playful impersonation, and the undeniable vocal chemistry between Haggard and Owens. It serves as a reminder of Haggard’s versatility and his ability to weave humor and social commentary into his music.