Waylon Jennings’ posthumous release, “Outlaw Sh*T” , offers a fascinating glimpse into the evolution of an outlaw country icon. This song, originally recorded in 1978 under the title “Don’t You Think This Outlaw Bit’s Done Got Out of Hand”, was re-recorded by Jennings in the mid-1990s with a slower tempo and a more introspective tone.
Jennings, a central figure in the outlaw country movement of the 1970s, was known for his rebellious spirit, raw vocals, and songs that celebrated the lives of outcasts and outsiders. Hits like “Lonesome, On’ry and Mean” and “I’m a Ramblin’ Man” became anthems for those who felt disenfranchised by the Nashville establishment’s polished sound. “Don’t You Think This Outlaw Bit’s Done Got Out of Hand”, released in 1978 on the album I’ve Always Been Crazy, exemplified this rebellious attitude.
However, the re-recorded version, titled “Outlaw Sh*T”, released on the 2008 posthumous album Waylon Forever, presents a more nuanced perspective. The slower tempo and Jennings’ world-weary vocals suggest a sense of regret for the lifestyle associated with the outlaw persona. The lyrics, while still maintaining their outlaw swagger, hint at the toll that this rebellious path may have taken.
The original producer, Tommy Jackson, likely oversaw the production for the 1978 version, which would have featured the driving rhythms and electric guitars characteristic of the outlaw sound. In contrast, the production details for the re-recorded version remain unclear. However, the slower tempo and focus on Jennings’ vocals suggest a more stripped-down approach, allowing for a more contemplative exploration of the outlaw lifestyle.
“Outlaw Sh*T” didn’t achieve the same chart success as some of Jennings’ earlier hits. However, its significance lies in its ability to showcase the growth and introspection of a musical icon. The song serves as a reminder that even the most rebellious figures can experience moments of doubt and reflection. “Outlaw Sh*T” stands as a testament to Jennings’ artistic honesty and his willingness to grapple with the complexities of the outlaw persona he helped create.